This month’s theme: “Where I Am: Poems of Place”
11/17 • Place at the Table
If you are what you eat then perhaps it’s clear by now that some tables aren’t spread for a feast but convenience—prepackaged wafers appear like blistered boils on grape juice sores, no yeast to coax your timid soul near. If living bread and wine increase the table’s welcome then dead conventions and sere formalistic tension show we’ve missed the invitation’s intention.
This is a rispetto (“respect” in Italian). The rispetto can be built in two ways: one is as two quatrains of iambic tetrameter—8 syllables with 4 unstressed syllables alternating with 4 stressed syllables. The other is the one I chose: 8 hendecasyllabic (11 syllable) lines. Both versions have generally used an ABABCCDD rhyme scheme.
11/18 • Nomad
We wander through the shrouded wood between unfolding fate and now into the dreams of childhood where groans are oft misunderstood as portents of the breaking bough. We wander through the shrouded wood and carry candles for the good of those who hope to pass somehow into the dreams of childhood intact despite the likelihood of broken heart. We’re learning how to wander through the shrouded wood more softly, mindful that we should have stepped more gently, not just plowed into the dreams of childhood to smother youth. Here lately stood our fathers, candles in the cloud and wandered through the shrouded wood into the dreams of childhood.
This is a villanelle. You can read Do Not Go Gentle into That Good Night by Dylan Thomas as a famous example. In short, it’s composed of 5 tercets in an A/B/A rhyme scheme and a closing quatrain using A/B/A/A. The 1st and 3rd lines of the opening tercet alternate to repeat throughout the poem as a refrain1 and comprise the closing couplet. I’ve taken some slight liberties with the first line refrain in two stanzas.
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This is what the villanelle rhyme scheme looks like broken down:
A(1) / b / A(2)
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a / b / A(1)
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a / b / A(2)
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a / b / A(1)
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a / b / A(2)
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a / b / A(1) / A(2)
Very nice villanelle! Great use of the form and each stanza had its own fun revelations. Well done! (I tend to write mine about the natural world, too, for some reason.)